Associate Professor of Modern Chinese Literature and Culture; Fellow of Wadham College
Faculty / College Address:
China Centre / Wadham College
My research and publications to date have focused on literary and visual culture in twentieth-century China, Hong Kong, Taiwan, and Japan, and my most recent book, about public secrecy in post-Mao China, appeared with Duke University Press in Spring 2020.
I am now working on a new project about precarity and cultural form in twenty-first-century China, supported by a British Academy Mid-Career Fellowship (2020-2021) and a Leverhulme Research Fellowship (2021-2023).
Negative Exposures: Knowing What Not to Know in Contemporary China, Durham, NC: Duke University Press, 2020. 320pp. ISBN-10: 1478006196 320.
Link to podcast on New Books Network about this book: https://newbooksnetwork.com/margaret-hillenbrand-negative-exposures-know...
Link to video interview about the book: https://www.youtube.com/watch?v=r9n2fHyxw8k.
Link to the book's "Introduction": https://www.dukeupress.edu/Assets/PubMaterials/978-1-4780-0800-2_601.pdf.
Documenting China: An Interpretive Reader in Seminal Twentieth-Century Texts (with Chloë Starr), Seattle: University of Washington Press, 2011. 240 pp. ISBN 0295991275.
Literature, Modernity, and the Practice of Resistance: Japanese and Taiwanese Fiction, 1960-1990, Leiden: Brill, 2007. 362 pp. ISBN 9004154787. [Partly translated into Chinese as “Chongshen Meiguo baquan”, trans. Chang Yu-min, Tu Hsin-hsin, and Cheng Hui-wen, in Li Sher-shiueh (ed.), Yidi fanhua: haiwai Taiwan wenxue wenlun xuanyi, vol. 2, Taibei: National Taiwan University Press, 2012, 229-320].
Guest editor, The Colour of Chinese Cinemas, special issue of Journal of Chinese Cinemas 6/3 (2012).
Guest editor, Contemporary East Asia, in Theory, special issue of Postcolonial Studies 13/4 (2010).
“The Cliffhangers: Suicide Shows and the Aesthetics of Protest in China”, Cultural Politics 16/2 (2020): 147-170.
"Selling the Cryptosphere in China", Cultural Studies 34/4 (2020): 625-655.
"Ragpicking as Method", Prism: Theory and Modern Chinese Literature 16/2 (2019): 260-297.
“Remaking Tank Man, in China”, Journal of Visual Culture 16/2 (2017): 127-166.
“Letters of Penance: Writing America in Chinese and the Location of Chinese American Literature”, MELUS 38/3 (2013): 44-66. [Recipient of the Katherine Newman best essay award from the Society for the Study of the Multi-Ethnic Literatures of the US. Link to feature on Oxford University Press blog: http://blog.oup.com/2014/02/chinese-american-literature-in-chinese-language/]
“Hero, Kurosawa, and a Cinema of Synaesthesia”, Screen 54/2 (2013): 127-151.
[Chinese translation: “Yingxiong, Heize Ming he ganguan dianying”, trans. Chen Ziru, Dongwu xueshu (Soochow Academic) 6 (2017): 91-108].
“Chromatic Expressionism in Contemporary Chinese Cinemas”, Journal of Chinese Cinemas 6/3 (2012): 211-231.
“Communitarianism, or, How to Build East Asian Theory”, Postcolonial Studies 13/4 (2010): 317-334.
“Nostalgia, Place, and Making Peace with Modernity in East Asia”, Postcolonial Studies 13/4 (2010): 383-402.
[Reprinted in Jeroen de Kloet and Lena Scheen (eds.), Spectacle and the City: Urbanity in Popular Culture and Art in East Asia, Amsterdam: Amsterdam University Press, 2013].
“Murakami Haruki in Greater China: Creative Responses and the Quest for Cosmopolitanism”, Journal of Asian Studies 68/3 (2009): 715-747.
“Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema”, Cinema Journal 47/4 (2008): 50-75.
[Reprinted in Kathryn Karrh Cashin and Stacy Lynn Tanner (eds.), Multicultural Film: An Anthology, Boston: Pearson Publishing, 2011].
“Doppelgängers, Misogyny, and the San Francisco System: the Occupation Narratives of Ôe Kenzaburô”, Journal of Japanese Studies 33/2 (2007): 383-414.
“The National Allegory Revisited: Writing Private and Public in Contemporary Taiwan”, positions: east asia cultures critique 14/3 (2006): 633-662.
[Chinese translation: “Guojia yuyan zaitan: dangdai Taiwan de gongzhong yu simi shuxie”, trans. Chang Hsueh-mei, in Chiu Tzu-hsiu (ed.), Kua wenhua de xiangxiang zhutixing: Taiwan houzhimin/nüxing yanjiu lunshu, Taibei: National Taiwan University Press, 2012, 295-332].
“Trauma and the Politics of Identity: Form and Function in Narratives of the February 28th Incident”, Modern Chinese Literature and Culture 17/2 (2005): 49-89.
“Voices of Empire in Dubliners and Taibeiren” in Shu-mei Shih and Ping-hui Liao (eds.), Comparatizing Taiwan, New York and London: Routledge, 2014, 175-201.
“The Personals: Backward Glances, Knowing Looks, and the Voyeur Film” in Chris Berry (ed.), Chinese Films in Focus 2, London, British Film Institute, 2008, 175-81.
“Kubi to karada” (Head and Body) by Wu Yongfu, tr. M. Hillenbrand, Taiwan Literature: English Translation Series 19: Special Issue on Taiwan Literature During the Period of Japanese Rule (2006): 39-49.
“Gu’er de yanjing. Wu Zhuoliu youjizhong de ziwo ningshi yu tazhe xiangxiang” (The Eyes of an Orphan: Gazing at the Self and Imagining the Other in the Travel Diaries of Wu Zhuoliu) by Jian Yiming, tr. M. Hillenbrand, Taiwan Literature: English Translation Series 15: Special Issue on Wu Zhuoliu (2004): 199-240.
Editorial and advisory boards
Book series editor: East Asian Cinemas, Edinburgh University Press, 2012- https://edinburghuniversitypress.com/series-edinburgh-studies-in-east-as...
Editorial boards: Taiwan in Comparative Perspective, 2008-; International Journal of Taiwan Studies, 2018-; Sinophone and Taiwan Studies, 2019; Taiwan Lit, 2020-; Journal of Chinese Film Studies, 2020-
Convenor of the Oxford Seminar on Visual Culture in Modern and Contemporary China
Current D.Phil. students
Kate Costello: “Writing Between Languages: Rethinking Bilingualism in Contemporary Chinese Literature”
Annabella Massey: “Cities of the Mind: New Urban Imaginaries in Contemporary Chinese Literary and Visual Culture”
Flair Donglai Shi: “The Yellow Peril Discourse in Anglophone and Sinophone Literatures, 1895 to the Present: Mutations, Reactions, and Reincarnations” (co-supervisor)
Xiaochu Wu: “The Aesthetics of Contemporary Chinese Feature Film”
Min Hui Yeo: “Working with the Other: Connections between the Malay- and Chinese-language Cinemas and Film Industries (1950s-1980s)"
Linqing Zhu: “Landscapes of the Heart”: Pictorial, Calligraphic, and Literary Traditions in Contemporary Chinese Film"
Hao Wang: "Imagining the World in Sinophone Literature and Visual Arts during WWII"